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After the release of their second album in 2003, The Autumn Defense,
multi-instrumentalists John Stirratt and Pat Sansone, realized that there
was indeed an audience for their Simon & Garfunkel/Bread influenced
soft-rock that they hadnt truly appreciated, and like most things
took
some time to develop. I loved the way that [2003's Circles] had
this sort of gestation period...that it took a while for people to find
it,
but when they did, they really dug it, according to Stirratt. That
record
earned high praise from critics like David Fricke of Rolling Stone who
called it, "warm, gorgeous, and delightful," and earned 4 stars
from
Mojo magazine.
For their third and latest album, Sansone and Stirratt took some
time away from their duties as members of Wilco to write and record
new material in Chicago. They recovened with their rhythm section
of the last six years: drummer Greg Wieczorek, and producer/
session man Brad Jones, as well as other Autumn Defense regulars
like pedal steel player John Pirruccello and horn player Steve Tyska.
Weve worked with them for so long now, that theres a
certain
intuitiveness about the track as its going down... that they know
the
possibilities as well as we do, says Stirratt. And through Brad
Jones they
were also able to work with new friends Chris Carmichael and Jim Hoke,
whose string and flute performances brought Sansones light orchestral
arrangements to life, and to helped provide a truly organic feel to the
recordings.
The result of a long winters work is the new self-titled release,
The
Autumn Defense. It is the culmination and continuation of what the band
has
reached for in the last two records, from the Philly-soul of "Feel
You Now", to the baroque "Estate Remains", the bossa "City
Bells" to the classic Southern- California sound of "We Would
Never Die." A world of voices are explored, styles are touched on,
and made their own. They hope you enjoy it.
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